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Here′s the question: The two works in the chapter by Picasso are separated in his output by less than ten years, but stylistically they could not be farther apart. These pieces are held up as pivotal in the move to 20th Century Modern Art. What aspects of this juxtaposition make it such a fine example of a shift in style? What implications does this have for our shared assumptions regarding the artistic process?
It also has to be 400 words